COLLECTION
- Barganov
- Mogilevsky
- Osipova
- Abram Arkhipov
- Abram Veksler
- Aleksandr Gerasimov
- Alexander Samokhvalov
- Alexander Laktionov
- Alexei Belykh
- Alexsandr Bubnov
- Alexsandr Deyneka
- Alexsei Gritsai
- Alexsei & Sergei Tkachev
- Anatoli Yar-Kravchenko
- Anatoly Nikolaevich Gankevich
- Aristarkh Lentulov
- Arkady Plastov
- Dashi Namdakov
- Elena Yanson-Manizer
- Evsey Moiseenko
- Fedot Sychkov
- Filipp Malyavin
- Fyodor Reshetnikov
- Gavriil Gorelov
- Gely Mikhailovich Korzhev
- Igor Obrosov
- Igor Popov
- Igor Grabar
- Ilya Repin
- Joseph Chaikov
- K E Rakityanskiy
- Kasli Factory
- Konstantin Korovin
- Kuzma Petrov-Vodkin
- Mai Volfovich Dantsig
- Matvej Manizer
- Meer Aizenstadt
- Mikhail Platunov
- Mikhail Vrubel
- Mitrofan Borisovich Grekov
- N Krandievskaya
- Nikolai Fechin
- Nikolai Andronov
- Nikolai Baskakov
- Nikolai Kozhanov
- Nikolai Roerich
- Oleg Komov
- Pavel Nikonov
- Petr Konchalovsky
- Petr Ossovsky
- Sarah Lebedeva
- Semon Chuykov
- Serge Yourievitch
- Sergei Konenkov
- Sergey Grigoryev
- Sergey Mikhailovich Orlov
- Tahir Salahov
- Tatiana Yablonskaya
- Tatyana Kopnina
- V A Govoruhin
- Valentin Alexandrovich Serov
- Vasily Nechitailo
- Vera Mukhina
- Victor Ivanov
- Victor Vasnetsov
- Viktor Popkov
- Vladimir Gavrilov
- Vladimir Masik
- Vladimir Serov
- Vladimir Stozharov
- Vladimir Fedorovich Tokarev
- Yevgeny Viktorovich Vuchetich
- Yuri Kugach
- Yuriy Lvovich Chernov
- Zinaida Yevgenyevna Serebriakova
Spring beyond Volga
1968
In this work a young girl leans against a tree and gazes out at the water. The artist has caught her in a moment of reverie and she seems dressed, not for the collective farm but rather the country holiday. The artist seems keen to emphasise the harmony of nature and human life and the beauty of the Soviet people and countryside.
TECHNIQUE
Oil on canvas
MEASUREMENTS
39cm × 35cm
Alexei Belykh
1923 -
In 1952, Belykh took part in the All Union Exhibition of Amateur Artists. He was subsequently invited to enter the Surikov Institute of Art. Following graduation, Belykh returned to Kostroma where he worked as a teacher at the College of Art. Labourers are the main theme of Belykh's work and, in 1964, he created a number of canvases regarding people in the lumber industry.